The exposition of a sonata form always
a. begins with pervading imitation.
b. modulates to a secondary key area.
c. uses word-painting to create drama.
d. begins in a major mode.
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The exposition of a sonata form always
a. begins with pervading imitation. b. modulates to a secondary key area. c. uses word-painting to create drama. d. begins in a major mode.
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