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Other Fields Homework Help Other Topic started by: Summershipp on Jun 28, 2015



Title: Iconography and Christian art
Post by: Summershipp on Jun 28, 2015
Describe what an icon is and briefly how iconography affected Christian Art


Title: Re: Iconography and Christian art
Post by: psyche360 on Jun 28, 2015
An icon is generally a flat panel painting depicting Jesus Christ, Mary, saints and/or angels, which is venerated among Eastern Orthodox, Oriental Orthodox, and in certain Eastern Catholic Churches.

Icons may also be cast in metal, carved in stone, embroidered on cloth, painted on wood, done in mosaic or fresco work, printed on paper or metal, etc. Icons are often illuminated with a candle or jar of oil with a wick. (Beeswax for candles and olive oil for oil lamps are preferred because they burn very cleanly, although other materials are sometimes used.) The illumination of religious images with lamps or candles is an ancient practice pre-dating Christianity.

Although common in translated works from Greek or Russian, in English iconography does not mean icon painting, and "iconographer" does not mean an artist of icons, which are painted or carved, not "written", as they are in those languages.

Comparable images from Western Christianity are generally not described as "icons", although "iconic" may be used to describe a static style of devotional image.



After an early period when aniconism was strong, surviving Early Christian art began, about two centuries after Christ, with small images in the Catacombs of Rome that show orans figures, portraits of Christ and some saints, and a limited number of "abbreviated representations" of biblical episodes emphasizing deliverance. From the Constantinian period monumental art borrowed motifs from Roman Imperial imagery, classical Greek and Roman religion and popular art - the motif of Christ in Majesty owes something to both Imperial portraits and depictions of Zeus. In the Late Antique period iconography began to be standardised, and to relate more closely to Biblical texts, although many gaps in the canonical Gospel narratives were plugged with matter from the apocryphal gospels. Eventually the Church would succeed in weeding most of these out, but some remain, like the ox and ass in the Nativity of Christ.