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AMWebby AMWebby
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6 years ago
In a blues chord progression it is common to play the flatted (minor) seventh above the root of the chord in addition to the three tones/notes that make up the basic chord (for example, G7 = G B D + F, C7 = C E G + Bb, D7 = D F A + C). What is the typical progression of chords in a blues stanza in terms of tonic, subdominant, and dominant?
 
  What will be an ideal response?
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cherry426cherry426
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6 years ago
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AMWebby Author
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6 years ago
Smart ... Thanks!
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Yesterday
Good timing, thanks!
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2 hours ago
this is exactly what I needed
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