Transcript
Chapter 1
Plainchant
and
Secular Monophony
History of Music in Western Culture, 4e 1-1 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Emergence of Plainchant
Gregorian chant
Supposed creator: Pope Gregory I
Existed before his reign of 590–604
Development continued after him
History of Music in Western Culture, 4e 1-2 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
Non-diastematic chant notation. The neumes of the earliest notated sources indicate the general contours but not the actual pitches of the chants. Shown here are the opening chants of the Mass Proper for Easter Sunday copied in eastern France around 930.
History of Music in Western Culture, 4e 1-3 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Elements of Plainchant
Plainchant
Pure melody
No harmony
No accompaniment
No added voices
History of Music in Western Culture, 4e 1-4 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Elements of Plainchant
Five elements of plainchant
1. Liturgical function
2. The relationship of words and music
3. Mode
4. Melodic structure
5. Rhythm
History of Music in Western Culture, 4e 1-5 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Elements of Plainchant
Liturgical function
The Office
Observed primarily by cloistered monks and nuns rather than laity
Local practices varied considerably and changed over time
History of Music in Western Culture, 4e 1-6 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Elements of Plainchant
Liturgical function
The Mass
Mixture of spoken, recited, sung elements
Every celebration of Mass (the Ordinary)
Specific to particular Sundays or feast days (the Proper)
History of Music in Western Culture, 4e 1-7 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Elements of Plainchant
Relationship of Words and Music
Chant:
Syllabic – each syllable of text has own note
Neumatic – each syllable is sung to between two and six notes
Melismatic – a single syllable is sung to many notes
History of Music in Western Culture, 4e 1-8 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Elements of Plainchant
Mode
Specific pattern of whole steps and half steps
Melodies end on a characteristic pitch (the finalis or final) and move up and down within a particular range (ambitus)
History of Music in Western Culture, 4e 1-9 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Elements of Plainchant
Melodic Structure
Limited number of intervallic patterns
Many stepwise intervals
History of Music in Western Culture, 4e 1-10 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Guidonian hand. Attributed to Guido of Arezzo, the Guidonian hand was a mnemonic device for students learning solmization syllables and the structure of the gamut, which begins at the tip of the thumb (Gamma ut) and circles around the hand, each joint representing a particular pitch.
History of Music in Western Culture, 4e 1-11 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Elements of Plainchant
Rhythm
Two interpretations:
All notes are of essentially equal durational value
All notes are not of equal durational value
History of Music in Western Culture, 4e 1-12 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
The Expansion of Plainchant
Troping was most important source of new repertory after 9th century
Trope is a musical or textual addition to existing chant
History of Music in Western Culture, 4e 1-13 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
Secular Monophony
Songs in Latin
Passed easily across linguistic boundaries
Great appeal to wandering minstrels who provided entertainment
History of Music in Western Culture, 4e 1-14 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
Secular Monophony
France
Troubadours and Trouvères
Active in 12th and 13th centuries
Trobairitz is a female troubadour
Repertories included love songs, laments, pastorals, dialogues, courtly love
History of Music in Western Culture, 4e 1-15 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
Secular Monophony
The Iberian Penisula
Cantigas (“songs”)
Texts written in Gallo-Portuguese
Most were syllabically set
Strophic form with a refrain
History of Music in Western Culture, 4e 1-16 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458
Secular Monophony
Germany
Minnesinger
Developed their own repertory of songs
Minnelieder were written in bar form creating the pattern of AAB
History of Music in Western Culture, 4e 1-17 © 2014 Education, Inc.
By Mark Evans Bonds Upper Saddle River, NJ 07458